On January 10/11/17/18, 2014 we will perform the delightful comedy Figaro by Charles Morey!
For the fourth time we will be hosted by Literaturhaus Graz in Elisabethstrasse 30.
Performance starts at 7pm and admission & box office at 6:30pm
Tickets: € 10,- regular, € 5,- concession.
As always, all our profits will be donated to charity! This year we will support Tafel Österreich/Styria and The Mojo Project.
Reserve your tickets now!.
Tickets are also available at the Department of English Studies at Uni Graz (Heinrichstraße 36) and at the box office at the nights of the perfomances.
Cast&Crew
Figaro – Chris Wester
Suzanne – Christina Horn
Count Almaviva – Marwin Strutz
Countess Almaviva – Daniela Goldgruber
Doctor Bartholo – David Leersch
Marceline – Maria Suntinger
Fanchette – Birgit Glettler
Cherubin – Babsi Kapfer
Doublemain – Armin Schmidhofer
Bazile – Remo Nitschke
Antonia – Giulia di Pietro
Judge Bridoison – Ida Maria Jaritz
Director & Producer – Deborah Siebenhofer
Assistant Director, Co-Producer, Sound & Light, Set Design, PR- Martin Konrad
Stage Management, Makeup, Prompter – Karoline Zefferer
Makeup – Kathy Lukats,
Makeup, Props – Michaela Bliem
Hair – Güliz Deniz, Meli Koller
Box office – Veronika Dornhofer
About the Play:
Who doesn’t know the eternal trickster Figaro?! The Pennyless Players are now putting him on stage – where he belongs – in this brilliant new adaption of Beaumarchais’ The Marriage of Figaro (1778), this time entitled simply Figaro. As the Associated Press NEW YORK puts it: “Figaro was a character who spoke truth to power, with sharp humor as his best weapon. Thanks to playwright Charles Morey, we’re seeing his “Figaro-ian schemes” in a fresh light – irreverent, gleeful fun!”
Figaro is in love and about to get married to his one and only, Suzanne. He couldn’t be happier! If it wasn’t for Count Almaviva who will only agree to sign the marriage contract should the beautiful bride agree to grant him certain favours. Figaro has to act quickly and come up with a fail-safe plan but with everyone else plotting to come between him and his bride, he will need all his cunning to make it down the aisle without disastrous consequences. Will his plans work out?
A colourful cast of plotting and scheming characters in a beautiful baroque setting make this play a feast for the eyes, and a sharp socio-political edge provides food for thought! But wait a minute – what do watermelons have to do with anything? Find out in January 2014!


